Uncut Pages or "Ode to a little red book"

November 15, 2009 — 3 Comments

[with thanks to Noreen and Elizabeth J]

Where does this story begin? The seed goes back ten years when we first packed up all our belongings, put them into a sea container and moved to another country. This container was lost for several months, and we feared all our books were gone, along with everything else. Noreen, an almost-blind Scottish woman here heard the news and a few days later said God told her to give us her books to make up for our loss. [Either God or she knew that “God told me” was the only way we wouldn’t argue over her generosity.] She immediately arranged to have three bookshelves and their contents moved out of her house to ours. And what a banquet she gave. I have been feasting off of Noreen’s books for years, long after our container was found and all our books delivered.

Among the books are two shelves of gorgeous leather-bound volumes with letter-press printing. Maybe you can’t judge a book by its cover but you certainly can love a book by its cover and sometimes when people come into our library, they are immediately drawn to these shelves, and as I often do, they’ll take out a small volume just to touch it and admire its beauty. I always get a secondary pleasure watching someone else appreciate the treasures Noreen passed on to us.

The other night, Elizabeth J. stopped by. She’s a book lover too and she spent a few minutes by the shelves. She pulled out a volume of Keats, a little red leather book with gold gilding on the top, and admired it. I smiled. Then she asked if she could borrow it. I gulped inside. My precious book? I hesitated, I waffled. Then I said “Wellllll….” She got the hint, and Keats stayed safely on the shelf.

This morning, in a rather roundabout way, God pointed out to me that I was wrong not to lend the book. I knew that of course, but I had been trying to pretend otherwise. I went to the shelf and took out the Keats so I could bring it to church and give it to Elizabeth. I don’t think I had ever looked at the book before and I noticed it was a little worse for wear. The binding was scuffed. The ribbon marker was disintegrating into a fragile collection of unwoven thread. There were discolored spots on some of the pages. But it was still a beautiful book.

I glanced through the table of contents to see if there were any poems that struck my fancy. I don’t know much about Keats. Off the top of my head I can’t think of anything he wrote [except–and here I take a stab–“Ode to a Grecian Urn”? I’ll check when I’m done writing this.]

I glanced through the table of contents, skipping quickly over titles like “Hymn to Pan” and “Endymion’s First Vision of Dian”. I turned the page, went past “Ode to Psyche” and saw “On Leaving some Friends at an Early Hour”. That sounded interesting to me. I opened up the book and flipped through to find page 148.

But first I came to “Escape from the City” on page 147. As it so happens, this wonderful poem fits in perfectly with a post that has been simmering on the back of my blog stove for over a month [and which will be served up soon thanks to the poem].

I turned the page to read “On Leaving some Friends” and found “On the Grasshopper and the Cricket”. Page 150. Hmmmm. Sad, I thought, to have missing pages though I could imagine that would be easy to do in a book like this. I envisioned a rather Dickensian print shop with Bob Cratchit in a printer’s apron having a bad day at the folding machine. But intuitively something didn’t seem right about how those pages could be missing and I checked again.

That’s when I discovered the uncut pages. The folded sheet for pages 147-150 had never been trimmed, being a little narrower than the sheets on either side.

Books are printed on sheets of paper. Take a sheet of paper, fold it three times. Unfold it and you’ll see eight blocks. Print on both sides of the paper and you’ll have sixteen blocks. Fold it up again. Stack it with some other folded sheets. Take scissors to cut the edges off so you”ll be able to turn over the pages. If you did a nice job folding and stacking, you can trim the pages with one snip of the scissors. If you didn’t, you’ll cut some but not all.

This edition of Keats’ poetry was published in 1906. For over one hundred years it has sat on one shelf or another and no one has ever tried to read “On Leaving some Friends.” It feels tragic in some way to have a beautiful poem in a beautiful book go untouched and unread for a century.

Unlent books, unread poems, uncut pages. This is something I’ve been thinking about lately. Am I open and generous with everything that has been given to me, all my talents, possessions, and resources? Or do I conceal them out of fear or greed? I wonder what poems have been written by the Author of my life and printed on my heart, but have remained safely hidden away because I’ve never let the pages be cut.

My life is intended to be taken off the shelf, opened, read, enjoyed. I’m meant to reflect God’s glory with an unveiled face. [II Corinthians 3:18]

The lamp goes on the table.
The salt goes in the stew.
The talents are invested rather than buried in the ground.
The uncut pages are sliced with a razor and finally see the light of day.

3 responses to Uncut Pages or "Ode to a little red book"

  1. 

    That is such a beautiful post/story. Profound and inspiring, and that it happens to be about a small letter-press book makes it even better! I was so happy at the end to see the picture of the poems, finally unveiled. The pictures are gorgeous too- especially the one of the uncut pages.

  2. 

    It is so touching to read your weaving of precious (in the sense of aged, beautiful, valuable) books, our own fears which lead us to selfishness (can’t lend that, ma’am), and back out to openness: the unveiled face, the lamp, salt, the pages opened. God is so open handed…and yet has to be sought out.

  3. 

    Well I can certainly relate–I am not always generous, esp with things precious to me. But I love your conclusion. Lamp on table, salt in stew, talents invested. Yes.

I'd love to hear what you are thinking...

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s